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The Philosophy of Science Fiction Film

Author: Steven Sanders

Publisher: University Press of Kentucky

Published: 2007-12-14

Total Pages: 241

ISBN-13: 0813172810

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The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.

Book Synopsis The Philosophy of Science Fiction Film by : Steven Sanders

Download or read book The Philosophy of Science Fiction Film written by Steven Sanders and published by University Press of Kentucky. This book was released on 2007-12-14 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: The science fiction genre maintains a remarkable hold on the imagination and enthusiasm of the filmgoing public, captivating large audiences worldwide and garnering ever-larger profits. Science fiction films entertain the possibility of time travel and extraterrestrial visitation and imaginatively transport us to worlds transformed by modern science and technology. They also provide a medium through which questions about personal identity, moral agency, artificial consciousness, and other categories of experience can be addressed. In The Philosophy of Science Fiction Film, distinguished authors explore the storylines, conflicts, and themes of fifteen science fiction film classics, from Metropolis to The Matrix. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surface of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views. Sanders's introduction presents an overview and evaluation of each essay and poses questions for readers to consider as they think about the films under discussion.The first section, "Enigmas of Identity and Agency," deals with the nature of humanity as it is portrayed in Blade Runner, Dark City, Frankenstein, Invasion of the Body Snatchers, and Total Recall. In the second section, "Extraterrestrial Visitation, Time Travel, and Artificial Intelligence," contributors discuss 2001: A Space Odyssey, The Terminator, 12 Monkeys, and The Day the Earth Stood Still and analyze the challenges of artificial intelligence, the paradoxes of time travel, and the ethics of war. The final section, "Brave Newer World: Science Fiction Futurism," looks at visions of the future in Metropolis, The Matrix, Alphaville, and screen adaptations of George Orwell's 1984.

Science Fiction and Political Philosophy

Author: Timothy McCranor

Publisher: Lexington Books

Published: 2020-02-14

Total Pages: 251

ISBN-13: 1498586449

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Sometimes called the “literature of ideas,” science fiction is a natural medium for normative political philosophy. Science fiction’s focus on technology, space and time travel, non-human lifeforms, and parallel universes cannot help but invoke the perennial questions of political life, including the nature of a just social order and who should rule; freedom, free will, and autonomy; and the advantages and disadvantages of progress. Rather than offering a reading of a work inspired by a particular thinker or tradition, each chapter presents a careful reading of a classic or contemporary work in the genre (a novel, short story, film, or television series) to illustrate and explore the themes and concepts of political philosophy.

Book Synopsis Science Fiction and Political Philosophy by : Timothy McCranor

Download or read book Science Fiction and Political Philosophy written by Timothy McCranor and published by Lexington Books. This book was released on 2020-02-14 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sometimes called the “literature of ideas,” science fiction is a natural medium for normative political philosophy. Science fiction’s focus on technology, space and time travel, non-human lifeforms, and parallel universes cannot help but invoke the perennial questions of political life, including the nature of a just social order and who should rule; freedom, free will, and autonomy; and the advantages and disadvantages of progress. Rather than offering a reading of a work inspired by a particular thinker or tradition, each chapter presents a careful reading of a classic or contemporary work in the genre (a novel, short story, film, or television series) to illustrate and explore the themes and concepts of political philosophy.

The Philosopher At The End Of The Universe

Author: Mark Rowlands

Publisher: Random House

Published: 2012-02-29

Total Pages: 322

ISBN-13: 1448116678

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'It's Schopenhauer and the will. It's Plato, it's Hume, Baudrillard and the concept of the Nietzschean superman!' Keanu Reeves on The Matrix The Philosopher at the End of the Universe allows anyone to understand basic philosophical concepts from the comfort of their armchair, through the plots and characters of spectacular blockbusting science-fiction movies. Learn about: The Nature of Reality from The Matrix; Good and Evil from Star Wars; Morality from Aliens; Personal Identity from Total Recall; The Mind-Body Dilemma from Terminator; Free Will from Minority Report; Death and the Meaning of Life from Blade Runner; and much more. As someone once said, things must be said and knowledge known, and the cast list assembled to tell us does not disappoint: Tom Cruise, Plato, Harrison Ford, Immanuel Kant, Sigourney Weaver, Friedrich Nietzsche, Keanu Reeves and Rene Descartes. From characters in the biggest films (with lots of explosions and bad language) to Ludwig Wittgenstein (no explosions and too much language in general), hear all the arguments. I think, therefore... I'll be back!

Book Synopsis The Philosopher At The End Of The Universe by : Mark Rowlands

Download or read book The Philosopher At The End Of The Universe written by Mark Rowlands and published by Random House. This book was released on 2012-02-29 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'It's Schopenhauer and the will. It's Plato, it's Hume, Baudrillard and the concept of the Nietzschean superman!' Keanu Reeves on The Matrix The Philosopher at the End of the Universe allows anyone to understand basic philosophical concepts from the comfort of their armchair, through the plots and characters of spectacular blockbusting science-fiction movies. Learn about: The Nature of Reality from The Matrix; Good and Evil from Star Wars; Morality from Aliens; Personal Identity from Total Recall; The Mind-Body Dilemma from Terminator; Free Will from Minority Report; Death and the Meaning of Life from Blade Runner; and much more. As someone once said, things must be said and knowledge known, and the cast list assembled to tell us does not disappoint: Tom Cruise, Plato, Harrison Ford, Immanuel Kant, Sigourney Weaver, Friedrich Nietzsche, Keanu Reeves and Rene Descartes. From characters in the biggest films (with lots of explosions and bad language) to Ludwig Wittgenstein (no explosions and too much language in general), hear all the arguments. I think, therefore... I'll be back!

Endangering Science Fiction Film

Author: Sean Redmond

Publisher: Routledge

Published: 2015-06-26

Total Pages: 290

ISBN-13: 1317646525

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Endangering Science Fiction Film explores the ways in which science fiction film is a dangerous and endangering genre. The collection argues that science fiction's cinematic power rests in its ability to imagine ‘Other’ worlds that challenge and disturb the lived conditions of the ‘real’ world, as it is presently known to us. From classic films such as 2001: A Space Odyssey and Solaris to modern blockbusters including World War Z and Gravity, and directors from David Cronenberg to Alfonso Cuarón, contributors comment on the way science fiction film engages with dangerous encounters, liminal experiences, sublime aesthetics, and untethers space and time to question the very nature of human existence. With the analysis of a diverse range of films from Europe, Asia, North and South America, Endangering Science Fiction Film offers a uniquely interdisciplinary view of the evolving and dangerous sentiments and sensibility of this genre.

Book Synopsis Endangering Science Fiction Film by : Sean Redmond

Download or read book Endangering Science Fiction Film written by Sean Redmond and published by Routledge. This book was released on 2015-06-26 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Endangering Science Fiction Film explores the ways in which science fiction film is a dangerous and endangering genre. The collection argues that science fiction's cinematic power rests in its ability to imagine ‘Other’ worlds that challenge and disturb the lived conditions of the ‘real’ world, as it is presently known to us. From classic films such as 2001: A Space Odyssey and Solaris to modern blockbusters including World War Z and Gravity, and directors from David Cronenberg to Alfonso Cuarón, contributors comment on the way science fiction film engages with dangerous encounters, liminal experiences, sublime aesthetics, and untethers space and time to question the very nature of human existence. With the analysis of a diverse range of films from Europe, Asia, North and South America, Endangering Science Fiction Film offers a uniquely interdisciplinary view of the evolving and dangerous sentiments and sensibility of this genre.

Science Fiction Cinema

Author: Christine Cornea

Publisher: Edinburgh University Press

Published: 2007-06-06

Total Pages: 320

ISBN-13: 0748628703

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This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.

Book Synopsis Science Fiction Cinema by : Christine Cornea

Download or read book Science Fiction Cinema written by Christine Cornea and published by Edinburgh University Press. This book was released on 2007-06-06 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.

Science Fiction and Philosophy

Author: Susan Schneider

Publisher: John Wiley & Sons

Published: 2016-03-07

Total Pages: 439

ISBN-13: 1118922611

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Featuring numerous updates and enhancements, Science Fiction and Philosophy, 2nd Edition, presents a collection of readings that utilize concepts developed from science fiction to explore a variety of classic and contemporary philosophical issues. Uses science fiction to address a series of classic and contemporary philosophical issues, including many raised by recent scientific developments Explores questions relating to transhumanism, brain enhancement, time travel, the nature of the self, and the ethics of artificial intelligence Features numerous updates to the popular and highly acclaimed first edition, including new chapters addressing the cutting-edge topic of the technological singularity Draws on a broad range of science fiction’s more familiar novels, films, and TV series, including I, Robot, The Hunger Games, The Matrix, Star Trek, Blade Runner, and Brave New World Provides a gateway into classic philosophical puzzles and topics informed by the latest technology

Book Synopsis Science Fiction and Philosophy by : Susan Schneider

Download or read book Science Fiction and Philosophy written by Susan Schneider and published by John Wiley & Sons. This book was released on 2016-03-07 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring numerous updates and enhancements, Science Fiction and Philosophy, 2nd Edition, presents a collection of readings that utilize concepts developed from science fiction to explore a variety of classic and contemporary philosophical issues. Uses science fiction to address a series of classic and contemporary philosophical issues, including many raised by recent scientific developments Explores questions relating to transhumanism, brain enhancement, time travel, the nature of the self, and the ethics of artificial intelligence Features numerous updates to the popular and highly acclaimed first edition, including new chapters addressing the cutting-edge topic of the technological singularity Draws on a broad range of science fiction’s more familiar novels, films, and TV series, including I, Robot, The Hunger Games, The Matrix, Star Trek, Blade Runner, and Brave New World Provides a gateway into classic philosophical puzzles and topics informed by the latest technology

Screening Space

Author: Vivian Carol Sobchack

Publisher: Rutgers University Press

Published: 1997

Total Pages: 356

ISBN-13: 9780813524924

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This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.

Book Synopsis Screening Space by : Vivian Carol Sobchack

Download or read book Screening Space written by Vivian Carol Sobchack and published by Rutgers University Press. This book was released on 1997 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.

The Sound of Things to Come

Author: Trace Reddell

Publisher: U of Minnesota Press

Published: 2018-10-16

Total Pages: 649

ISBN-13: 1452957363

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A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema Including original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, and Blade Runner, The Sound of Things to Come delivers a comprehensive history of sound in science fiction cinema. Approaching movies as sound objects that combine cinematic apparatus and consciousness, Trace Reddell presents a new theory of sonic innovation in the science fiction film. Reddell assembles a staggering array of movies from sixty years of film history—including classics, blockbusters, B-movies, and documentaries from the United States, Britain, France, Germany, Japan, and the Soviet Union—all in service to his powerful conception of sound making as a speculative activity in its own right. Reddell recasts debates about noise and music, while arguing that sound in the science fiction film provides a medium for alien, unknown, and posthuman sound objects that transform what and how we hear. Avoiding genre criticism’s tendency to obsess over utopias, The Sound of Things to Come draws on film theory, sound studies, and philosophies of technology to advance conversations about the avant-garde, while also opening up opportunities to examine cinematic sounds beyond the screen.

Book Synopsis The Sound of Things to Come by : Trace Reddell

Download or read book The Sound of Things to Come written by Trace Reddell and published by U of Minnesota Press. This book was released on 2018-10-16 with total page 649 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema Including original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, and Blade Runner, The Sound of Things to Come delivers a comprehensive history of sound in science fiction cinema. Approaching movies as sound objects that combine cinematic apparatus and consciousness, Trace Reddell presents a new theory of sonic innovation in the science fiction film. Reddell assembles a staggering array of movies from sixty years of film history—including classics, blockbusters, B-movies, and documentaries from the United States, Britain, France, Germany, Japan, and the Soviet Union—all in service to his powerful conception of sound making as a speculative activity in its own right. Reddell recasts debates about noise and music, while arguing that sound in the science fiction film provides a medium for alien, unknown, and posthuman sound objects that transform what and how we hear. Avoiding genre criticism’s tendency to obsess over utopias, The Sound of Things to Come draws on film theory, sound studies, and philosophies of technology to advance conversations about the avant-garde, while also opening up opportunities to examine cinematic sounds beyond the screen.

Films from the Future

Author: Andrew Maynard

Publisher: Mango Media Inc.

Published: 2018-11-15

Total Pages: 246

ISBN-13: 1633539067

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“Deftly shows how a seemingly frivolous film genre can guide us in shaping tomorrow’s world.” —Seth Shostak, senior astronomer, SETI Institute Artificial intelligence, gene manipulation, cloning, and interplanetary travel are all ideas that seemed like fairy tales but a few years ago. And now their possibilities are very much here. But are we ready to handle these advances? This book, by a physicist and expert on responsible technology development, reveals how science fiction movies can help us think about and prepare for the social consequences of technologies we don’t yet have, but that are coming faster than we imagine. Films from the Future looks at twelve movies that take us on a journey through the worlds of biological and genetic manipulation, human enhancement, cyber technologies, and nanotechnology. Readers will gain a broader understanding of the complex relationship between science and society. The movies mix old and new, and the familiar and unfamiliar, to provide a unique, entertaining, and ultimately transformative take on the power of emerging technologies, and the responsibilities they come with.

Book Synopsis Films from the Future by : Andrew Maynard

Download or read book Films from the Future written by Andrew Maynard and published by Mango Media Inc.. This book was released on 2018-11-15 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Deftly shows how a seemingly frivolous film genre can guide us in shaping tomorrow’s world.” —Seth Shostak, senior astronomer, SETI Institute Artificial intelligence, gene manipulation, cloning, and interplanetary travel are all ideas that seemed like fairy tales but a few years ago. And now their possibilities are very much here. But are we ready to handle these advances? This book, by a physicist and expert on responsible technology development, reveals how science fiction movies can help us think about and prepare for the social consequences of technologies we don’t yet have, but that are coming faster than we imagine. Films from the Future looks at twelve movies that take us on a journey through the worlds of biological and genetic manipulation, human enhancement, cyber technologies, and nanotechnology. Readers will gain a broader understanding of the complex relationship between science and society. The movies mix old and new, and the familiar and unfamiliar, to provide a unique, entertaining, and ultimately transformative take on the power of emerging technologies, and the responsibilities they come with.

Science Fiction Film

Author: Eli Park Sorensen

Publisher: EUP

Published: 2021-08-31

Total Pages: 168

ISBN-13: 9781474481847

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By presenting a new political framework, the book looks at the sci-fi film genre's important critical role in a post-political world, deepening and elucidating our understanding of the post-political present and hence reopening the political imagination to possible future trajectories beyond the horizon of the present. Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt's thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt's notion of the state of exception and its basis in the unpredictability of tomorrow, it looks at the political ramifications when the moment of the future finally arrives. With analysis of films such as Alien, Blade Runner and Minority Report, Eli Park Sorensen explores how power reconfigures itself to ensure the survival of the state, what 'society' means, who 'we, the people' are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future.

Book Synopsis Science Fiction Film by : Eli Park Sorensen

Download or read book Science Fiction Film written by Eli Park Sorensen and published by EUP. This book was released on 2021-08-31 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: By presenting a new political framework, the book looks at the sci-fi film genre's important critical role in a post-political world, deepening and elucidating our understanding of the post-political present and hence reopening the political imagination to possible future trajectories beyond the horizon of the present. Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt's thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt's notion of the state of exception and its basis in the unpredictability of tomorrow, it looks at the political ramifications when the moment of the future finally arrives. With analysis of films such as Alien, Blade Runner and Minority Report, Eli Park Sorensen explores how power reconfigures itself to ensure the survival of the state, what 'society' means, who 'we, the people' are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future.